Why study the Middle Ages? According to Kent Emery, jr., “[a]rtistic expression, in the strict sense, ‘perfects nature,’ liberates the human spirit from the ‘bare necessities’ of its animal and cultural existence, and, moreover, shows ‘disdain’ for them. So delicate table manners, extravagant fashion, unfunctional architecture, contrived landscapes and gardens, conceited, indirect, and musical speech, ritualized battle, and ‘refined love’ transform and flaunt the need to eat, wear garments, erect shelters, raise crops, communicate, inflict violence, marry and procreate. The allure of such images and the freedom they signify, as well as the contradictions they entail, were perceived more acutely amidst the physical and cultural realities of medieval life than they are in our own time” (Foreword, in: Margaret Porette, The Mirror of Simple Souls. Trans. by J. C. Marler and Judith Grant [Notre Dame: University of Notre Dame Press, 1999], xii-xiii).
I might want to add that during the Middle Ages the barrier between physical reality and the transcendental was not as strong as today, and most medieval poets, painters, musicians, and other artists had easier access to the ineffable and mystical than today. This makes their works so meaningful for us in the 21st century. – A.C.
Address List of Germanists (not quite up-to-date)
Aldo Scaglione, Knights at Court (1991)
General Introduction (tools, terms, tips, etc.)
Germanists in North America (newsletter)
Grotefend (medieval time tables etc.)
Introductory on-line Bibliography (WEMSK)
Jews 3 (extensive, both past and present, with audio and video material)
Medieval Sourcebook (Fordham Univ.)
Mediaevistik (interdisciplinary journal)
The Middle Ages – Introductory Essay by Albrecht Classen
O’Brien Webpage (with many links)
Other Links and Resources (Debora Schwarz’ homepage)
Summer 2003 Medieval Travel Course (new!)
Video on Medieval Manuscript Technology – hilarious
Why History I | Why History II
Zeitschriftenliteratur (including festschriften and doctoral diss.)