[et_pb_section fb_built=”1″ _builder_version=”4.0.2″][et_pb_row _builder_version=”4.0.2″][et_pb_column type=”4_4″ _builder_version=”4.0.2″][et_pb_post_title meta=”off” featured_image=”off” _builder_version=”4.0.2″][/et_pb_post_title][et_pb_text _builder_version=”4.0.3″ hover_enabled=”0″]Compiled by Ginni Ishimatsu
Many thanks to Mark Elmore, Doug Berger and everyone else for the great references.
Babb, Lawrence. “Glancing: Visual Interaction in Hinduism.” Journal of Anthropological Research 37 (1981): 387-401.
Babb, Lawrence A., Susan S. Wadley, Joint Committee on South Asia, and American Council of Learned Societies. Media and the Transformation of Religion in South Asia. Philadelphia: University of Pennsylvania Press, 1995.
Cort, John. “The Jina as King.” In Vasantagauravam: Essays in Jainism Felicitating Professor M. D. Vasantha Raj of Mysore on the Occasion of His Seventy-Fifth Birthday, ed. Jayandra Soni (Mumbai: Vakils, Feffer and Simons, 2001). –deals with contextualizing darsan both in terms of time and place.
Davis, Richard H. Lives of Indian Images. Princeton, NJ: Princeton University, 1997.
Eck, Diana L. Darsan: Seeing the Divine Image in India. 3d ed. New York: Columbia University, 1998.
Grimes, John A. “Darsana,” in The Hindu World, ed. Sushil Mittal & Gene Thursby. New York: Routledge, 2004.
Halbfass, Wilhelm. India and Europe: An Essay in Understanding. Albany: State University of New York, 1988. Chap. ?: “Darsana, Anviksiki, Philosophy, pp. 263-287; Chap. 16: “The Adoption of the Concept of Philosophy in Modern Hinduism,” especially section 17-24, pp. 300-306. **see note at end of list.
Inglis, Stephen. “Suitable for Framing: The Work of a Modern Master.” In Media and the Transformation of Religion in South Asia, ed. Lawrence Babb and Susan Wadley. Philadelphia: University of Pennsylvania Press, 1995.
Jain, Kajri. “The Efficacious Image: Pictures and Power in Indian Mass Culture.” Polygraph 12 (2000): 159-86.
—. “More Than Meets the Eye: The Circulation of Images and the Embodiment of Values.” Contributions to Indian Sociology 36, no. 1 (2002).
—. “Producing the Sacred: The Subjects of Calendar Art.” Journal of Art and Ideas 30-31 (1997): 63-88.
Pinney, Christopher. Camera Indica: The Social Life of Indian Photographs. Chicago: University of Chicago Press, 1997.
—. Photos of the Gods: The Printed Image and Political Struggle in India. New Delhi: Oxford University Press, 2004.
Pinney, Christopher and Rachel Dwyer, eds. Pleasure and the Nation: The History, Politics and Consumption of Public Culture in India. Oxford: Oxford University Press: 2001.
Ramaswamy, Sumathi. Beyond Appearances? Visual Practices and Ideologies in Modern India. Contributions to Indian Sociology Occasional Studies 10. New Delhi; Thousand Oaks, CA: Sage, 2003.
Smith, H. Daniel. “Impact of ‘God Posters’ on Hindus and Their Devotional Traditions.” In Media and the Transformation of Religion in South Asia, ed. Lawrence Babb and Susan Wadley. Philadelphia: University of Pennsylvania Press, 1995.
Yocum, Glenn. “The Vision of Shiva: The Strange Case of Kannappanayanar and His Eyes.” Dialogue and Alliance 3, no. 2 (Summer 1989): 41-51.
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